Generative Art - harnessing the power of technology to enhance art
Philips Research has been examining how to
support artists in producing new expressions of art that
combine traditional techniques with advanced technologies to
create something very different. Known as Generative Art,
these series of images never stop evolving, within the
framework defined by the artist, yet never repeat
themselves.
Artistic collaboration
Multimedia art is not in itself particularly new. However,
much of it is developed for special occasions like shows or
exhibitions. Italian artists Federico Bonelli and Maurizio
Martinucci set out to create something that was more
permanent - yet at the same time transient. Their unique
form of generative art is known as ‘protoquadro’.
Ever-evolving
Protoquadro art starts out conventionally enough with a
series of photos and images with very specific properties
along the artist’s chosen theme. A software algorithm
designed according to the laws of chaos is then applied to
select and combine different aspects of the photographs to
create unique and constantly evolving works of art that can
be displayed on flat screens or projected onto suitable
surfaces in places ranging from homes, offices and hotels to
shops, museums and other public buildings.
Such is the nature of the technique that the resulting
artwork will never repeat itself, and even the artist is
unable to predict precisely which direction it will evolve
in. So unique is each creation that two protoquadros
generated using the same set of photos and algorithm will
even develop differently.
Fascination
Philips Research first became involved in the generative art
movement out of sheer fascination with the technique. It was
immediately clear, however, that the scope of art could be
expanded by applying technology developed within Philips to
reach a much wider audience. “As soon as we saw a
protoquadro in action, we realized that the gap between art
and technology was closing," says Evert van Loenen of the
Philips Experience Lab. "Artists are keen to explore new
media and technologies, and the application of electronics
brings art very much into Philips’ realm.”
A touch of technology
Philips initially supported the artists in successfully
scaling up their protoquadros to wall-sized and multiple
screens. “What we have brought to the artists is the
technology they themselves did not have the resource or
expertise to develop," adds van Loenen. "This is taking
generative art to the next level, and highlights how the
worlds of art and technology are now becoming inextricably
linked.”
Philips has for example applied its motion sensor technology
to develop an interactive version of protoquadro that
accelerates the speed at which the image evolves when
someone approaches. The sensors even detect which angle
passers-by are approaching from. This variation of
generative art could be of huge potential interest to the
retail sector. Interactive shop windows could come to life
as people pass, attracting great attention even when the
shop is closed. A demonstration version of this can already
be seen at the Philips Research ExperienceLab in Eindhoven,
the Netherlands.
Widely applicable
Generative art could also be a very attractive proposition
for the hospitality sector. Hotels frequently hang paintings
in bedrooms and public places; with generative art, it will
be possible to commission a series of works of art along a
theme relevant to the hotel chain, but with each piece
unique and ever-changing. Hospitals, too, where images often
hang in corridors and waiting rooms, could become far more
interesting places to be with protoquadro art enlivening the
wait.
Pushing the boundaries
Philips, together with the two Italian artists, are already
thinking about the next generation of generative art which
will take the protoquadro experience beyond just the screen.
By incorporating special light effects and sound, it becomes
possible to provide a much more complete sense of immersion
– as well as open up new opportunities for commercial and
social applications.